Critical Appreciation
of T.S.Eliot's " The Waste Land": The Poem That We Should Keep In
Mind Before Attending Modern Materialistic Civilization!
Introduction
Having
viewed the modern materialistic civilization from the view-point of
spiritualism and Christian Existentialism, T.S. Eliot has represented his
reaction in the form of this poem entitled The Waste Land. It is a symbolical
poem composed in the style of poetic esotericism, “Formally the poem has been
described as a much of ideas and as a poetic cryptogram”. As such his is the
poem of myth and symbols, of a series of trains of thoughts whose parts look
unconnected with one another.
The Epigraph
The poem bears an epigraph
written partly in Latin and partly in Greek. The speaker in the epigraph says
that he has noticed the Sibyl at Cymae hanging in a cage and wishing to die;
but she could not die because she was almost immortal by virtue of a boon from
Apollo. According to recent criticism, the Sibyl hanging in a cage represents
the human soul hanging in the cage of Materialism. Being immortal, the soul
can’t die. But it is highly miserable, since the materialistic man is
constantly haunted by anxiety, cares, worries etc. he is all “fear in a handful
of dust”.
The title words
The title of the poem The Waste Land has been
inspired by Miss Dessie L. Weston’s book from Ritual to Romance. It refers to a
Waste Land described in one of the Grail Romances. The Land was ruled by the
Fisher king. He along with his knights ravished certain maidens who were
guardians of the Grail mysteries. Because of that outrage, he became impotent
and fell ill, and his land became Waste. Eliot has represented in his poem the
modern materialistic world as the wasteland, and its rulers as the modern
materialistic man – He has profaned the mysteries of life and being, namely the
Soul and God. Consequent upon his outrage, he has become spiritually impotent
and has fallen ill with misery and his land has become Waste spiritually.
The Theme stated
through symbolism
The doctrine of Spiritualism, asserts that in
the universe all the material forms are unreal. The immortal soul is the only
reality and it has real existence apart from matter. The doctrine of Christian
Existentialism holds that man must raise his soul above the sins of the Flesh
and the temptation of wealth.
In
order to illustrate his point of view, the poem surveys the evil effects of
Materialism on the modern society of the West. In part-I he shows that the
materialistic society is ruled by sensualism, unholy love, fraud as reflected
in Madame Sosostri’s Clairvoyance, and misery born of materialistic desires. In
part-II the poet opines that the modern woman considers life a game of chess in
which she has to keep her lover under her power by means of her beauty and
cosmetics till another lover knocks at the door. In Part-III, he shows that the
modern men are burning in the fire by unholy love. The part-IV, he suggests
that commercialism leads the modern man only to mirage and death. In part-V the
poet sums up the nature of The Waste Land and its impotence. In fact, ‘here is
no water but only rock’. The water of selfless love and compassion if missing
in modern sphere, there is ‘rocks’ metonymy for materialistic thoughts and
deeds. If sensual pleasures, madness for worldly riches and wealth be the crux
of modern Waste land, there are three gates to man’s Salvation – Datta,
Dayandham and Damayanta.
Who the protagonist?
With fragmentary passages, literary
quotations and allusions, there is an apparent lack of logical relationship
along them. The reason is that the whole poem is a stream of consciousness in
verse of one personage, Tiresias. He is the protagonist. Almost immortal,
blind, bisexual he is the hidden poet, the very learned. Through memories,
meditations, literary quotations, allusions and implicit contrasts his is the
view of materialistic world.
Style &
Versification
In esoteric style with missing links,
quotations from foreign literature, use of myths and symbols are the key points
in the poem. The tendency to suppress defining links may be traced back to the
French symbolist. The Waste Land symbol is based on the myth of the Grail
legend. This symbol has been developed by means of the vegetation myth with the
rites of fertility found in ancient Eastern cults. Further, the poem is of
striking speech rhythms for a sudden tightening, for a cumulative insistence,
or for an abrupt change of mood. In conversational passages the speech rhythm
gets down to colloquial level.
Conclusion
To conclude, The Waste Land is “the most
notable single poem” of the modern age. It “goes beyond a mere diagnosis of the
spiritual distempers of the age; it is a lament over man’s fallen nature, a
prophecy and a promise”. According to prominent critic, it has serious defects.
They are inherent in its origin and in method. He observes: “The Waste Land
does not carry within itself all that is necessary for understanding. Its
structural basis lies in a special branch of learning, and it involves
continual references to other branches of knowledge with which few readers can
be acquainted. The piece is not a self-contained study”.( G. Bullough.)
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