Womanism, Black Feminism and Feminism
The term 'Womanism' was first used by Alice Walker in her work In Search
of Our Mothers' Gardens: Womanist Prose in 1983. Womanism and Feminism are not
the same. The first is a movment of black American women who considered
Feminism as a middle-class white women's movement that didn't take up the
issues of the women of color. Alice Walker explains a womanist as:
v
A woman who loves and respects other women as
well as society at large.
v
Considers women's sensitive, emotional make up
as special fetures of women.
v
she attempts to strenghten the society and is
committed to survival and wholeness of entire people, male and female.
v
A" Traditionally universalist… Loves music.
Loves dance. Loves the moon. Loves the Spirit. Loves love and food and
roundness. Loves struggle. Loves the Folk. Loves herself. Regardless.”
Womanism can be contrasted to feminism as the first celebrated
womanhood, her role in society and supports the survival of all. It caters to
the emotional, sensitive life of women and recognized the collective life of
human society. It fought against racism, sexism and economic exploitation.
Feminism, on the other hand, was a movement of middle class woman in 19th
century which stood for the civil rights of women. The right to vote was one of
the key concern of first generation feminism and it fought against sexism of
male dominate society. Radical Feminists considered family, marriage etc...as
economic institutions which intimidated women and supported homosexuality.
Womanism suggests an alternative movement in which women confront gender,
social oppression without leaving her inane womanist features.
Black
Feminism is a derivative of Feminism which worked for black women's social,
political and educational rights in the US. It deals with women related issues
of American women of color but lacks global perspective. It carries some of
concerns of womanism such as recognition of African roots, method of defining
black women's standpoint etc...
Womanist
concerns can be traced in the works of Tony Morrison, Bessy Head, Alice Walker
and Ama Atha Aithu. Ain't I a Woman? by
Bell Hooks presents some of the key ideas of womanism.
Womanism and
Alienation
Alice Walker in her essay “In Search of Our Mothers’
Gardens” puts forward her thoughts on womanism. It is a social theory deeply
rooted in the racial and gender oppression of black women. There are varying
interpretations on what the term womanist means and efforts to provide a
concise and all-encompassing definition have only been marginally successful.
The ambiguity within the theory allows for its continuous expansion of its
basic tenets. At its core, womanism is a social change perspective based upon
the everyday problems and experiences of black women and other women of
minority demographics, but more broadly seeks methods to eradicate inequalities
not just for black women, but for all people. The self-authored spirit of
activism, spirituality, and the women's relationship with herself, other women,
and her surroundings comprise an essential part of the ideology. The term
womanism was first coined by author Alice Walker in her 1979 short story,
"Coming Apart".
In this essay, Walker elaborates on how black women felt
over the subjugation of their authority and existence. They feel a certain
sense of alienation from other social classes of society and they are seen
differently and treated with inferiority. They are not provided with equal
opportunities, and there is a clear distinction of what they are not. It is
this alienation that makes the black women feel like a fallow expanse of land,
devoid of rational or spiritual thought. The author describes how they have
been abused physically, mentally and spiritually, to such an extent that their
existence itself seems hollow and alien.
Plea of this Spirit:
Women as a Sex Object
What I am has always been different from what you saw me
as…and what I want is different from what you think I need…my spirit has been
torn again and again by you and your friends, you’ve made me question my
existence over time but there shall come a time when you’ll be forced to see me
the way I’ve always wanted you to and at that time you will not be able to
ignore it... That time it will be your heart that will tear on hearing the pain
I have held in my breast over these years. And your plea will be unheard...
Women have always questioned their existence and pleaded for
an angel saving their spirit from the eyes of the evil in this patriarchal
society. Yet these pleas of theirs have always been turned down. For years they
have been seen as a “sex object” and nothing else. Their talents were hidden
from the world by not giving them a channel to use their energy for creating
something beautiful. They were burdened with responsibilities of children,
households and their husbands. Their lives were made to revolve around them and
only them. Alice walker’s In search of our mother’s garden” showcases how black
women in this world have been seen as a sex object. In this essay, Walker begins with a quote by
Jean Toomer, which shows how black men perceive a black women. They are always
seen as a mere sex object. Alice walker’s stories have always thrown light on
the problem black women had to go through. In the essay, Walker says that the
society considered black women as a mule. This made them emotionless and
hopeless. Readers can see this in Walker’s novel The Color Purple where she
showcases incidents when Celie (the main character) is treated like a cattle
and sexually abused by her step- father. Walker’s writing have made the world
realized their mistake and has helped people to make a change.
The idea of the perception of women has always been a part
of the writer and her work has made it hard for people to ignore the reality.
The plea of those women is heard, now that she writes to express the pain that
her sisters went through..
Subjectivity of
Beauty
The theme I have chosen to work with, in relation with the
essay “In Search of our Mothers’ Gardens” is the “subjectivity of beauty”.
Now this is quite a vast idea which works much beyond just
this chapter. The subjectivity of beauty is an idea that has gained popularity
since the mid-20th century especially with the rise of Black rights and
equality.
“Black is Beautiful” was a slogan that became very popular
at that point of time. The whites had a very firm idea of beauty and anything
that was not “like” them was considered ugly, The Blacks, the Coloured people,
everyone.
This set idea has been around for a very long time and will
always remain. People will always consider some things beautiful and others
ugly. Something that everyone needs to accept is the fact that beauty is
subjective. Something which might be extremely ugly might be beautiful for me.
Or vice versa. Beauty does lie in the eyes of the beholder.
This is why the whole concept of “Black is “beautiful”
became a huge success. Just because some white people consider them ugly, it
doesn’t make them ugly. People like Jean Toomer actually had the guts to come
out and say that Black can be beautiful. Moreover beauty is more than just the
physical appearance. What makes someone beautiful is what they are and not what
they look like.
This is what the chapter deals with Inner beauty,
spirituality, creativity and how inner beauty and creativity come out in the
smallest of things someone does.
Racial Discrimination
What does it mean to be shunned and oppressed two times over
– for being a black woman in a world that treats women like lesser beings and
the dark-skinned as though they aren’t human? ‘In Search of Our Mothers’
Gardens’ by Alice Walker explores the extent to which this discrimination went
and shows how black women were stifled, forced to restrain and subdue their
creative genius.
Women in general had to fight for their rights to break away
from the confines of domestic life and what was expected of them, such as being
an obedient wife, mother and dedicated housekeeper who only indulged in
acceptable feminine activities like cooking, sewing and looking after the
family. Black women, on the other hand, lived despondent lives affected by
generations of thraldom, forced to believe they are truly inferior.
Walker draws this parallel by comparing the problems white
women writers face according to Virginia Woolf’s ‘A Room of One’s Own’ with
those that the black women undergo. While Woolf states that a woman needs a
room of her own and money to support herself in order to write fiction, Walker
points out that Phillis Wheatley, a slave in the 1700s who wrote poetry, didn’t
even own herself. She shows how this long drawn-out discrimination morphed the
truth for the blacks who grew up believing in their inferiority and that they
were rescued from the savagery of Africa by the whites, like Phillis Wheatley
who envisioned her mistress as a Goddess. Such ‘contrary instincts’ that went
against their nature would deals blows to their health and sanity.
She also mentions that for most of the years that black
people resided in America, it was a criminal offence for a black person to read
or write. Therefore, any female black genius would be forced to internalize and
subdue her creativity that madly urged to surge. And this wretched life devoid
of passion and the flame of creativity and genius that refused to go out would
eventually leave behind a burned soul that’s numb on the outside. And after
ages of living like a puppet, some become empty shells staring vacantly, some
forget what it means to be alive and some find a way – a secret outlet to
channel their abilities the only way they can, through the only means open to
them – be it knitting or gardening…
Insecurity
Alice Walker talks about insecurity among black women as one
of the themes in her essay “In Search of Our Mothers’ Gardens”. Walker is an
American author and activist, brought up in an environment that heavily
discriminated against the blacks, which is why most of her essays talk about
her experiences of growing up as a black child in a white-dominated society.
It is basic human psychology that the lack of acceptance in
society harbours a feeling of insecurity in the person. It is the same with the
black immigrants in America since their arrival on the New Found Land in the
early sixteenth- seventeenth century. They were brought in as slaves with no
identity of their own and forced to work for the whites. Black women are called
“the mule of the world” because they have been handed the burdens that everyone
else refused to carry.
The author resonates the feeling of insecurity felt by black
women due to their unjust treatment in society. She talks about the labels that
is stamped upon them like “matriarchs, superwomen, mean and evil bitches,
castraters and sapphire’s mama. Their character has been distorted and labelled
them as infidels and just a mere object of physical satisfaction. The essay
echoes with the insecurities that black women felt about their identities and
it is portrayed through the songs of Bessie Smith, Billie Holiday, Nina Simone,
Roberta Flack and others. It manifests in the creation of their art, an innate
struggle to establish who they are and be able to stand up to what is wrongly
projected about them.
Racial and Spiritual
Identity
We, human beings, are a vast abyss of untold, unexplored
perspectives. Every day, we discover a bit of ourselves and surprise ourselves
in innumerable ways. Sometimes, we don’t realize our potential or worth but
subconsciously direct that flow of energy into doing other things that manifest
the presence of something that we believe is absent in us.
Alice Walker deals with a similar issue in her essay “In
Search of My Mother’s Garden”, where she describes the richness and depth of
spirituality and creativity of Black women and how it was suppressed by the
whites. The question of one’s identity is explored as well. Black women were
discriminated against and a stereotype was built surrounding their identity.
Society manipulated and made them believe what they wanted them to believe,
that Black women were incapable of Creation of history and art, that they were
merely objects of procreation.
Their racial as well as spiritual identity is shown to be at
stake. They are made to believe that they are a race inferior to their white
counterpart by the accident of birth. Society creates unnecessary constructs
around what is good or bad, right or wrong and it is on the basis of this that
one’s racial identity is questioned. As their creative expression was stifled
by such stereotypes, black women found another way to voice their spirituality
and leave a mark of their identity: through the mediums her position in society
allowed her to use. The handmade quilts, the well nurtured gardens that
thousands of anonymous black women tended to is the legacy that is left behind
of their existence. They were capable of lot more, of being able to produce
great literature and art but circumstances did not allow so.
It is in these gardens of untold, unexplored perspectives
that Alice Walker is trying to look for the racial and spiritual identities of
the women long dead and gone.
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